Have a look at what the Austrian media FM4 and Noisey and the Polish RMF and interia.pl wrote about us. It is very enjoyable to read ... → read more

This year, festival-goers withdrew more than 410,000 € from the three Slovenská sporiteľňa ATMs at our festival, which is a 20% increase compared to last year. Most frequently, they withdrew the sum of 50 €. Record-breaking moment came, as usual, on Saturday between 5 and 6 PM when visitors made more than 3 withdrawals per minute. Almost 38,000 euros were paid through terminals: a 65% increase compared to last year. Four fifths of transactions were contactless, which speeded paying at the festival up. → read more

Today, the sale of tickets for the 20th edition of Bažant Pohoda has been launched on our website. At the festival Pohoda Shop, the first 1,000 tickets were sold within an hour and further 3,000 were sold during the festival, which exceeded last yearʼs “festival” advance sale by 20%. At the moment, there are 3,000 more tickets available for 79€ at the shop. → read more

You can pick up your lost items at the Trenčín airport until Wednesday 6:00pm (in the office at the airport tower), just come. → read more

How can one determine whether the particular edition of the festival was the best? If we look at the number of tickets sold, then it was basically sold out. Only a few tickets were left at the gates. On Saturday evening, we reached the capacity of the festival, which could be seen especially during the Björk concert. → read more

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Daniel Patirčák, Anka Polcková, Juraj Jordan Doval, and their guests talked about the meaning of suffering, about freewill, and about solidarity with those who suffer. → read more

On Sunday we have broken our own record with the "Welcoming of the Sun." The last music programme of this year´s Bažant Pohoda did attract a record number of participants. → read more

The third day of our festival began by the welcoming of the Sun with a record attendance of the Icelandic band Kippi Kaninus. The band composed a new song for this opportunity. → read more

The main program on the largest stages could be described primarily as a large output of energy. Synthpop mixed with Britpop was served by the collaboration of FFS, Einstürzende Neubauten played the long cultivated industrial music, you could enjoy Die Antwoordʼs spontaneous show, and Jesse Hughesʼ (Eagles of Death Metal) well performed Rock 'n' Roll and exemplary work with the audience. → read more